COME

COME: the green leaves of the fig tree and its roots. COME: the green field of helichrysum and bergamot. COME: the green of tea and civet. COME: the petrol green of smoke and labdanum. COME: the emerald green of benzoin and oud. COME: the racing green of tonka bean and moss. COME: the camouflage green of patchouli and the jade green of honey. COME: the celadon green of vanilla and jasmine. COME: the beryl green of ylang-ylang and the malachite green of juniper.
COME is a dark ode to nature that explores mystical, hidden aspects of herbal and resinous lands where smoke and animal notes play in ritual circles.

COME explores green scents: fragile, multifaceted, elusive, complex, and changeable. Color is a matter of perception, not definition, and in this composition, the green disintegrates and rebuilds itself in a catalog of olfactory metaphors.
COME welcomes you with bright notes of bergamot and helichrysum, reminiscent of a moist green lawn. COME unfolds and takes shape: the green thickens in the fig leaves lying on the grass, darkens with tea leaves and the aroma of the civet cat, oxidizes like exposed metal, while smoke and labdanum create a resinous, deep petrol tone.
COME vibrates between contrasts and harmonies: the balsamic sweetness of benzoin and the earthy intensity of oud outline an emerald green, rich and forgotten. Tonka bean and musk reveal new nuances, a dustier and more elegant green.
COME is a tangible green: the patchouli is mimetic and herbal, the honey melts, while vanilla and jasmine blend into a milky, thin celadon green. The ylang-ylang blossoms, together with the juniper wood, create a vast and luminous space.
COME is an open question, a declaration of perceptual, chromatic and olfactory freedom.